The myths and sagas of the Greeks and Romans, taught in particular through ancient literature.
Requirements: Fourteen lessons, one examination.
Instructor: C. Thomas Poss, M.A., The University of Georgia.
Course Overview
Introduction
This course is a survey of classical mythology as it was employed by the Greeks
and Romans in their literature, art, and civilization. Such a course must of necessity
be organized topically rather than chronologically; the organization I shall follow is
that adopted by most ancient authors who wrote handbooks of mythology
including Ovid in the Metamorphoses (which you will read in the course)i.e., to
begin with the creation and generations of the gods, then discuss the mythology of
the Olympian gods themselves, then follow the major and minor heroic cycles of
Greek legend, concluding with the Trojan wars and their aftermath, and turning at
the last to the legends and folk tales of the Romans. The course will introduce you
to the many characters and tales of classical mythology, which are, along with the
Christian Bible, our civilization’s richest source of symbols and allegories. You will
read the Metamorphoses of Ovid essentially in its entirety, and complete plays of
Aeschylus, Sophocles, and Euripides that develop and manipulate Greek myths. In
addition, you will read a large number of selections from Greek and Latin authors,
including Hesiod, Homer, Vergil, Pindar, Plato, the Homeric Hymns, and others,
which demonstrate the views of myth and versions of the tales current among the
ancients themselves. You will also learn to identify the gods and heroes as they are
portrayed on ancient Greek pottery, which is our richest artistic source for
mythology.
Your main objectives in the course should be
1. to learn the names, histories, and functions of the gods and heroes of classical
myth;
2. to read ancient literary versions of these myths paying particular attention to the
characteristics of each version of a story;
3. to read and understand the different methods by which different Greek and
Roman writers can approach the same story, and attempt to analyze what
element(s) of the myth seem most important to each author;
4. to learn the literary and the visual iconography of all the major gods, heroes, and
legends of classical myth and to be able to identify them;
5. to think about the significance of the myths both to the ancients and to the rest
of Western civilization.
Lesson Preparation
As with any course of study, you should become acquainted with the content and
arrangement of the textbooks. First, glance through this course manual at each
lesson, considering its scope and requirements. Then look at each of the books.
There are four in all, and they will be referred to in the assignments by the following
abbreviations:
Ovid = Rolfe Humphries (trans.), Ovid: Metamorphoses
Plays = L. R. Lind (ed.), Ten Greek Plays in Contemporary Translations
CMyth = M. P. O. Morford and R. J. Lenardon, Classical Mythology
Eur = P. Vellacott (trans.), Euripides: Medea and Other Plays
The length of the assignments may vary; all four of the books will be used
throughout the course. Every lesson (there are fourteen in all) in the course has a
reading and a written assignment. You are responsible for and will be tested over
all the reading assigned, whether written assignments cover it or not.
You are responsible for memorizing the names, correctly spelled, of divinities,
heroes, monsters, places, authors, and artists as they come up. Your knowledge of
this objective material will be tested on the final exam. Be sure that you learn this
material in every lesson, and that you thoroughly refresh your memory of it before
attempting the exam.
For most students, one lesson per week will be the maximum feasible rate to insure adequate study and retention. You should not apply for the final examination until all the lessons have been returned with a passing grade.